Soundtrack for three lives, four worlds
Jul. 3rd, 2015 03:08 amGlaxcin Prison (the Glaxcin entity's world)
What he brings with him:
"A Locked Heart" -- Yami no Matsuei OST
(The journey: from the prison of his own heart to an opened heart.)
"Eden" -- To Destination
(The memory of one he loved.)
"Water Down the Ganges" -- Prem Joshua
(Hisoka's music for GenSouKai. The last sight of his original world.)
Descent into another world:
"Fukaki Umi No Kanata (Beyond the Deep Sea)" -- Yoshida Brothers
(Music for traveling continuously in a small world -- one whose dimensions total only a few thousand feet square.)
[ Much more music goes here, as soon as I locate it on YouTube. ]
"The English Ladye and the Knight" -- Loreena McKennitt
(Who do we know who drinks to excess in his own world? Here, the Warden gets him drunk, and Hisoka fears the wine is poisoned. It is. Just not in the way he thinks. But in fact, the poison has been there since the beginning of this adventure -- the beloved is not who he claims to be, and Hisoka comes to realize this only much later. The death not only of love but of the very idea of true love. Hisoka says, later, "By my side was destroyed in that place.")
"Full of Grace" -- Sarah McLachlan
(The end of loving. When you are played by the loved one to the exhaustion of all your capacity to feel and to continue to extend compassion, in the end, you let go. You still wish to believe, but you cannot. You have come to the end of your resources. )
"Rolling in the Deep" -- Adele
(The false Tsuzuki; the imposter. In this strange and awful place, people come and go -- and sometimes the same people arrive more than once but are not really the same people. Initially, he has no explanation for this, but later he becomes aware of the strange and awful fact that when a person is fetched from his or her own universe, a new timeline branches out -- and a new person is made. This person may or may not resemble the original. Nobody can actually go home, because nobody can in fact be returned to the same universe they think they are from. He can't go home. And he can't love this horrible facsimile of his former friend and partner. )
[ Music for Sephiroth should go here. ]
"Listen to Your Heart" -- Cascada (feat. Edmee)
(Techno version. He comes pretty damn close to leaving Seph, too. But Seph is a sincere person, even when they have differences.)
--or--
"Listen to Your Heart" -- Cascada (feat. Edmee)"
(Slow version, with piano.)
"What Hurts the Most" -- Cascada
(The memory of Seph's long green eyes looking at him with sly humor. The love, the sacrifice, the honor, the loss.)
--or--
"What Hurts the Most" -- Cascada
(The techno version.)
"Bless the Broken Road" -- Rascal Flatts (Official Music Video)
"Bless the Broken Road" -- Rascal Flatts
"Sensations" -- Soulfood
(The surprise of sensuality: beyond the love we long for, and quite aside from whether we ever find it, there is something even more ancient and life-giving that calls through the body as the breath of spirit calls through the veil of the flesh. To answer that call is to say yes to the soul.)
"The Dance" -- Garth Brooks
(Y. dies in solitary confinement, deserted by Conrad -- and in the cell next to Hisoka's. Still, Y. is a fiercely devoted lover, and even in the face of betrayal, he does not cease to love. This is the song he chooses to be remembered by.)
"Get Out Alive" -- Three Days Grace
(The unvoiced warnings of at least two people whom Hisoka loved -- Hermione Granger and Duo Maxwell.)
"When You Believe" -- Whitney Housten and Mariah Carey
(When you cannot have personal love, you can still give yourself to a larger one -- saving the community, even if it costs you your life. Even if no one else believes.)
--or--
"When You Believe" -- Whitney Housten and Mariah Carey
__________________________________________________________________________________________
Untitled Melody
(Tentative title for a short story in which Hisoka and Seph meet again in an AU world that that vaguely resembles Asia Minor or India in the late Middle Ages. Modeled after my dream.)
"Khwaab" -- Naraj Chaq (ft. Swati Naketar)
"Zara Zara"
https://www.youtube.com/watch?v=iWVuX6CodBU
https://www.youtube.com/watch?v=81m7E3QM2OY
With English translation
https://www.youtube.com/watch?v=4p44s4J0nW0
__________________________________________________________________
The Sky Tides (the airship world)
"First Light" -- Trapdoor Social
"Run For Cover" -- Cazzette
"Heroes" -- Cazzette
(The ridiculous, trivial, and frightening mechanization that goes with war technology, the sense of being dragged along with no choice in the matter -- even when one has chosen this life of one's own free will.)
"Titanium" -- Cazette (song by David Guetta, original singer Sia)
__________________________________________________________________________________________
Carpe Horas (the Mansion)
The Western movie we never made because I never posted that event:
"Espiritus" -- Soulfood
"Espiritus" -- Soulfood (Sunset image)
"Desperado" -- Linda Ronstadt (with the Nelson Riddles Band)
(For Dean. An ultimately fruitless prayer. "...you only love the things that you can't get.")
"Ride Like the Wind" -- Christopher Cross & Michael McDonald
(This one is for Hisoka, actually -- the perennial fugitive.)
"Ride Like the Wind" -- Christopher Cross & Michael McDonald/a>
"Titanium" -- David Guetta
"My Immortal" -- Evanescence
(The song that got Hisoka killed. Somebody who shall remain nameless ran to the powers that be and handed them information that was bound to be used against him, as they had to have known it would be. Stepping back to get the larger perspective, the song is not about the real Dean -- strangely, it was Dean himself who once observed that Hisoka was hung up on "Tsuzuki or the idea of him." That idea, that image etched ineradicably into the young man's heart was put there years before he ever met any of the men he ever loved to distraction or to destruction. The Tsuzuki of Carpe Horas is in no way to blame for the events that caused Hisoka to leave -- he was never anything but kind.)
"Laura Palmer" -- Bastille
(Hisoka's departure from the Mansion.)
"Every Storm (Runs Out of Rain)" -- Gary Allen
(Hisoka's departure from the Mansion.)
"If I Die Young" -- The Band Perry
(The lighter side of death.)
"Blown Away" -- Carrie Underwood
(For the Mansion itself.)
"Dante's Prayer" -- Loreena McKennitt
(Last words.)
__________________________________________________________________________________________
The Abyss: Between Worlds
"Going Under" -- Evanescence
(The unspeakable emptiness.)
__________________________________________________________________________________________
By Duty Bound (Maine, 2013)
"Underneath" -- DJ Antoine
(Hisoka's state when he awakened to find himself in this dark, compelling modern world on the opposite side of the Pacific Ocean from his original home. America. A place he had always meant to visit, and now he has a life there, and this world has kindly provided him with a history. But he is in a horribly abusive relationship with this world's version of Dean. His neighbor, Bunny Dahl, offers him a refuge until he has recovered his courage and asserts his right to leave his mad, hate-obsessed friend.)
"Bless the Broken Road" -- Carrie Underwood
(The belief that one has finally come home. The sweetness, the poignancy, the blessing. One cannot NOT be grateful, even when later it turns out to have been illusion.)
"Summertime Sadness" (Lana Del Rey vs. Cedric Gervais remix)
(Intimations that all is not well, even though he is happy. Intimation of the end.)
"Let Her Go" -- Passenger
(For Burnadette Dahl. Hisoka loved her as much as he loved her brother Titus, though he was not her lover. He always had a feeling the Dahl sibs were two sides of the same coin.)
"Red Lights" -- Tiësto
(The aching, ever-present desire to depart. As they say, nobody can run away from himself or herself, but everybody deserves a chance to try.)
--or--
"Red Lights" -- Tiësto
(I think I like the lyrics presentation a little better. Same recording.)
"Spectrum (Say My Name)" -- Florence and the Machine (Calvin Harris Radio Edit)
(The radio edit of this song. The last sight of the Bound world from the aircraft window.)
--or--
"Spectrum (Say My Name)" -- Florence and the Machine (Calvin Harris Remix)
--or--
"Spectrum (Say My Name)" -- Florence and the Machine
(This one that has the extravagant video (directed by David LaChapelle & John Byrne) -- Swan Lake ballet dancers and beautiful harp music. Has one extra, sinister verse at the end -- a little Kali energy added to what is already about light, joy, and ecstasy. XD)
--or--
"Spectrum (Say My Name)" -- Florence and the Machine
(Is this the same edit as the one above? Has the Kali verse above, and the harp music.)
“Rewind” – Emma Hewitt (Mikkas Remix)
(The buzziest, most dynamic version of this one. Hisoka's recurring theme. A song for rejoicing in things as they are and for grieving what they are not.)
Cape Uncertainty
"Oats in the Water" -- Ben Howard
(Farewell to all those who left him. They can go their way, he'll take the long way round, as he should... )
"Renegades" -- X Ambassadors
(No need to explain.)
"Dance the Pain Away" -- Benny Benassi (feat. John Legend)
(But the pain of loss has a way of gripping him, of recurring again and again, of taking up his attention in a really obsessive way. Still, he has the intuition that this, too, is part of the path. He is a lover by nature, and he will never be otherwise.)
--or--
"Dance the Pain Away" -- Benny Benassi (feat. John Legend)
"Believe" -- Soulfood (Album: Buddha Chill)
(Spring finally comes. His heart thaws out, despite the lingering sadness. There is still reason to dance, and reason to celebrate life. And he loves his friends.)
"Around the Block" -- Pretty Lights
("Now's the best moment you'll ever know! This ain't your home, make it your own!" Oh yes, that is the best of all advice.>
“Rewind” – Emma Hewitt ( Mikkas Remix)
(Hisoka's recurring theme. Same version as the buzziest one, but with a video that suggests most up to date technological vision -- use last.)
"Circles" -- Greg Cooke
(The journey continues. Hisoka is a mystic, no doubt about it, and he doesn't have to subscribe to any guru for this to be so. It's home-grown, in his case.)
"Skyward" -- Feint
(As above.)
"Give Yourself to Love" -- Kathy Mattea
(Kate Wolf's song. Hisoka's Port Karen family.)
Not sure where to put these songs -- or haven't done it yet:
"Say Something (I'm Giving Up on You)" -- A Great Big World (feat. Christine Aguilera)
(It comes to this.)
"Open Your Eyes" -- Rameses B (feat. Rachel Hirons)
("Open your eyes. We don't need the light. It's all in your mind." Trance dance.)
"Visionary" -- Rameses B
("Wherein is it written that all our dreams must be small?")
"Renegade" -- Cazzette, Eva Simons
"Because of You" -- Kelly Clarkson
(The way he feels sometimes, but patently not true. He always risks again.)
“Rewind” – Emma Hewitt (Mikkas Remix)
(The buzziest, most dynamic version.)
https://www.youtube.com/watch?v=G3M7IrjqkAA
“Rewind” – Emma Hewitt ( Mikkas Remix)
(Same version, but with a video that suggests most up to date technological vision -- use last.)
https://www.youtube.com/watch?v=EI1FLCWH8vA
“Rewind” – Emma Hewitt ( Mikkas Remix) -- Bass boosted
(Same version, but with a video that suggests space station or radar display.)
https://www.youtube.com/watch?v=RLJnjaVKnNE
“Rewind” – Emma Hewitt ( KATFYR Remix)
(Different sound, but still wonderful. Both orchestral and dubstep. First use? -- There is a winged figure in the video.)
(https://www.youtube.com/watch?v=UzHaRGVE9gQ
"Eck Ong Kaar" -- Snatum Kaur
(The mantra that allows us to take control of our own lives -- to manifest our dreams. "Melt the Name in the. . . " )
--or--
"Eck Ong Kaar" -- Snaturm Kaur
(This is the recording on the album Shanti, the one I heard first.)
What he brings with him:
"A Locked Heart" -- Yami no Matsuei OST
(The journey: from the prison of his own heart to an opened heart.)
"Eden" -- To Destination
(The memory of one he loved.)
"Water Down the Ganges" -- Prem Joshua
(Hisoka's music for GenSouKai. The last sight of his original world.)
Descent into another world:
"Fukaki Umi No Kanata (Beyond the Deep Sea)" -- Yoshida Brothers
(Music for traveling continuously in a small world -- one whose dimensions total only a few thousand feet square.)
[ Much more music goes here, as soon as I locate it on YouTube. ]
"The English Ladye and the Knight" -- Loreena McKennitt
(Who do we know who drinks to excess in his own world? Here, the Warden gets him drunk, and Hisoka fears the wine is poisoned. It is. Just not in the way he thinks. But in fact, the poison has been there since the beginning of this adventure -- the beloved is not who he claims to be, and Hisoka comes to realize this only much later. The death not only of love but of the very idea of true love. Hisoka says, later, "By my side was destroyed in that place.")
"Full of Grace" -- Sarah McLachlan
(The end of loving. When you are played by the loved one to the exhaustion of all your capacity to feel and to continue to extend compassion, in the end, you let go. You still wish to believe, but you cannot. You have come to the end of your resources. )
"Rolling in the Deep" -- Adele
(The false Tsuzuki; the imposter. In this strange and awful place, people come and go -- and sometimes the same people arrive more than once but are not really the same people. Initially, he has no explanation for this, but later he becomes aware of the strange and awful fact that when a person is fetched from his or her own universe, a new timeline branches out -- and a new person is made. This person may or may not resemble the original. Nobody can actually go home, because nobody can in fact be returned to the same universe they think they are from. He can't go home. And he can't love this horrible facsimile of his former friend and partner. )
[ Music for Sephiroth should go here. ]
"Listen to Your Heart" -- Cascada (feat. Edmee)
(Techno version. He comes pretty damn close to leaving Seph, too. But Seph is a sincere person, even when they have differences.)
--or--
"Listen to Your Heart" -- Cascada (feat. Edmee)"
(Slow version, with piano.)
"What Hurts the Most" -- Cascada
(The memory of Seph's long green eyes looking at him with sly humor. The love, the sacrifice, the honor, the loss.)
--or--
"What Hurts the Most" -- Cascada
(The techno version.)
"Bless the Broken Road" -- Rascal Flatts (Official Music Video)
"Bless the Broken Road" -- Rascal Flatts
"Sensations" -- Soulfood
(The surprise of sensuality: beyond the love we long for, and quite aside from whether we ever find it, there is something even more ancient and life-giving that calls through the body as the breath of spirit calls through the veil of the flesh. To answer that call is to say yes to the soul.)
"The Dance" -- Garth Brooks
(Y. dies in solitary confinement, deserted by Conrad -- and in the cell next to Hisoka's. Still, Y. is a fiercely devoted lover, and even in the face of betrayal, he does not cease to love. This is the song he chooses to be remembered by.)
"Get Out Alive" -- Three Days Grace
(The unvoiced warnings of at least two people whom Hisoka loved -- Hermione Granger and Duo Maxwell.)
"When You Believe" -- Whitney Housten and Mariah Carey
(When you cannot have personal love, you can still give yourself to a larger one -- saving the community, even if it costs you your life. Even if no one else believes.)
--or--
"When You Believe" -- Whitney Housten and Mariah Carey
__________________________________________________________________________________________
Untitled Melody
(Tentative title for a short story in which Hisoka and Seph meet again in an AU world that that vaguely resembles Asia Minor or India in the late Middle Ages. Modeled after my dream.)
"Khwaab" -- Naraj Chaq (ft. Swati Naketar)
"Zara Zara"
https://www.youtube.com/watch?v=iWVuX6CodBU
https://www.youtube.com/watch?v=81m7E3QM2OY
With English translation
https://www.youtube.com/watch?v=4p44s4J0nW0
__________________________________________________________________
The Sky Tides (the airship world)
"First Light" -- Trapdoor Social
"Run For Cover" -- Cazzette
"Heroes" -- Cazzette
(The ridiculous, trivial, and frightening mechanization that goes with war technology, the sense of being dragged along with no choice in the matter -- even when one has chosen this life of one's own free will.)
"Titanium" -- Cazette (song by David Guetta, original singer Sia)
__________________________________________________________________________________________
Carpe Horas (the Mansion)
The Western movie we never made because I never posted that event:
"Espiritus" -- Soulfood
"Espiritus" -- Soulfood (Sunset image)
"Desperado" -- Linda Ronstadt (with the Nelson Riddles Band)
(For Dean. An ultimately fruitless prayer. "...you only love the things that you can't get.")
"Ride Like the Wind" -- Christopher Cross & Michael McDonald
(This one is for Hisoka, actually -- the perennial fugitive.)
"Ride Like the Wind" -- Christopher Cross & Michael McDonald/a>
"Titanium" -- David Guetta
"My Immortal" -- Evanescence
(The song that got Hisoka killed. Somebody who shall remain nameless ran to the powers that be and handed them information that was bound to be used against him, as they had to have known it would be. Stepping back to get the larger perspective, the song is not about the real Dean -- strangely, it was Dean himself who once observed that Hisoka was hung up on "Tsuzuki or the idea of him." That idea, that image etched ineradicably into the young man's heart was put there years before he ever met any of the men he ever loved to distraction or to destruction. The Tsuzuki of Carpe Horas is in no way to blame for the events that caused Hisoka to leave -- he was never anything but kind.)
"Laura Palmer" -- Bastille
(Hisoka's departure from the Mansion.)
"Every Storm (Runs Out of Rain)" -- Gary Allen
(Hisoka's departure from the Mansion.)
"If I Die Young" -- The Band Perry
(The lighter side of death.)
"Blown Away" -- Carrie Underwood
(For the Mansion itself.)
"Dante's Prayer" -- Loreena McKennitt
(Last words.)
__________________________________________________________________________________________
The Abyss: Between Worlds
"Going Under" -- Evanescence
(The unspeakable emptiness.)
__________________________________________________________________________________________
By Duty Bound (Maine, 2013)
"Underneath" -- DJ Antoine
(Hisoka's state when he awakened to find himself in this dark, compelling modern world on the opposite side of the Pacific Ocean from his original home. America. A place he had always meant to visit, and now he has a life there, and this world has kindly provided him with a history. But he is in a horribly abusive relationship with this world's version of Dean. His neighbor, Bunny Dahl, offers him a refuge until he has recovered his courage and asserts his right to leave his mad, hate-obsessed friend.)
"Bless the Broken Road" -- Carrie Underwood
(The belief that one has finally come home. The sweetness, the poignancy, the blessing. One cannot NOT be grateful, even when later it turns out to have been illusion.)
"Summertime Sadness" (Lana Del Rey vs. Cedric Gervais remix)
(Intimations that all is not well, even though he is happy. Intimation of the end.)
"Let Her Go" -- Passenger
(For Burnadette Dahl. Hisoka loved her as much as he loved her brother Titus, though he was not her lover. He always had a feeling the Dahl sibs were two sides of the same coin.)
"Red Lights" -- Tiësto
(The aching, ever-present desire to depart. As they say, nobody can run away from himself or herself, but everybody deserves a chance to try.)
--or--
"Red Lights" -- Tiësto
(I think I like the lyrics presentation a little better. Same recording.)
"Spectrum (Say My Name)" -- Florence and the Machine (Calvin Harris Radio Edit)
(The radio edit of this song. The last sight of the Bound world from the aircraft window.)
--or--
"Spectrum (Say My Name)" -- Florence and the Machine (Calvin Harris Remix)
--or--
"Spectrum (Say My Name)" -- Florence and the Machine
(This one that has the extravagant video (directed by David LaChapelle & John Byrne) -- Swan Lake ballet dancers and beautiful harp music. Has one extra, sinister verse at the end -- a little Kali energy added to what is already about light, joy, and ecstasy. XD)
--or--
"Spectrum (Say My Name)" -- Florence and the Machine
(Is this the same edit as the one above? Has the Kali verse above, and the harp music.)
“Rewind” – Emma Hewitt (Mikkas Remix)
(The buzziest, most dynamic version of this one. Hisoka's recurring theme. A song for rejoicing in things as they are and for grieving what they are not.)
Cape Uncertainty
"Oats in the Water" -- Ben Howard
(Farewell to all those who left him. They can go their way, he'll take the long way round, as he should... )
"Renegades" -- X Ambassadors
(No need to explain.)
"Dance the Pain Away" -- Benny Benassi (feat. John Legend)
(But the pain of loss has a way of gripping him, of recurring again and again, of taking up his attention in a really obsessive way. Still, he has the intuition that this, too, is part of the path. He is a lover by nature, and he will never be otherwise.)
--or--
"Dance the Pain Away" -- Benny Benassi (feat. John Legend)
"Believe" -- Soulfood (Album: Buddha Chill)
(Spring finally comes. His heart thaws out, despite the lingering sadness. There is still reason to dance, and reason to celebrate life. And he loves his friends.)
"Around the Block" -- Pretty Lights
("Now's the best moment you'll ever know! This ain't your home, make it your own!" Oh yes, that is the best of all advice.>
“Rewind” – Emma Hewitt ( Mikkas Remix)
(Hisoka's recurring theme. Same version as the buzziest one, but with a video that suggests most up to date technological vision -- use last.)
"Circles" -- Greg Cooke
(The journey continues. Hisoka is a mystic, no doubt about it, and he doesn't have to subscribe to any guru for this to be so. It's home-grown, in his case.)
"Skyward" -- Feint
(As above.)
"Give Yourself to Love" -- Kathy Mattea
(Kate Wolf's song. Hisoka's Port Karen family.)
Not sure where to put these songs -- or haven't done it yet:
"Say Something (I'm Giving Up on You)" -- A Great Big World (feat. Christine Aguilera)
(It comes to this.)
"Open Your Eyes" -- Rameses B (feat. Rachel Hirons)
("Open your eyes. We don't need the light. It's all in your mind." Trance dance.)
"Visionary" -- Rameses B
("Wherein is it written that all our dreams must be small?")
"Renegade" -- Cazzette, Eva Simons
"Because of You" -- Kelly Clarkson
(The way he feels sometimes, but patently not true. He always risks again.)
“Rewind” – Emma Hewitt (Mikkas Remix)
(The buzziest, most dynamic version.)
https://www.youtube.com/watch?v=G3M7IrjqkAA
“Rewind” – Emma Hewitt ( Mikkas Remix)
(Same version, but with a video that suggests most up to date technological vision -- use last.)
https://www.youtube.com/watch?v=EI1FLCWH8vA
“Rewind” – Emma Hewitt ( Mikkas Remix) -- Bass boosted
(Same version, but with a video that suggests space station or radar display.)
https://www.youtube.com/watch?v=RLJnjaVKnNE
“Rewind” – Emma Hewitt ( KATFYR Remix)
(Different sound, but still wonderful. Both orchestral and dubstep. First use? -- There is a winged figure in the video.)
(https://www.youtube.com/watch?v=UzHaRGVE9gQ
"Eck Ong Kaar" -- Snatum Kaur
(The mantra that allows us to take control of our own lives -- to manifest our dreams. "Melt the Name in the. . . " )
--or--
"Eck Ong Kaar" -- Snaturm Kaur
(This is the recording on the album Shanti, the one I heard first.)